After a long time there is a
director who has really evolved with every film. Imtiaz Ali promises to be the
one who can give Hindi mainstream movies the identity that was missing. The depiction
of the human characters, their individualism, their growth (by learning or
making mistakes) is indigenous & portrays the intellect and knowledge of
the director regarding human beings. Hope he continues in the same way even if
(hope not) success fails him. From "Socha Nahi Tha" to "Jab We Met" to" Love Aaj
Kaal" to "Rock Star" & now "Highway" he has grown
considerably. The films have started to show the mindset which we find in a
Ghazal or Sufi Song. There is a philosophical touch to the story/human
characters in Imtiaz's film. Yes there are some unrealistic angles but that's
the zone of the creator, that's the freedom of the poet & his poetry.
The story is a one liner--a
high society girl in Delhi gets kidnapped by accident just before her marriage.
Her journey with the kidnapper is the central theme. Travelling is one the
integral components of the film along with the establishment of the human characters
and their relationships. The way all these things have been integrated along with
the visual pleasure of the Himalayas takes the film to great heights. The
journey of an apparently dumb looking city girl re-discovering herself amidst
the natural background, the journey of a kidnapper re-inventing the situation which
led him to such a world justifies the movie name beautifully. (From the name
whoever feels of watching a thriller should restrain himself/herself from going
to the movie). For a change A. R. Rahman's music does not look out of place.
The climax scene is subtle and far from melodrama. Most of the scenes are
unique--some for their visual treat, some for the connect of the human emotion
& nature.The scene where Alia is sitting in front of the gushing water is something special. The mingling of water & human emotion is indeed very special. This is not a love story, it is a story of acknowledging human
emotions and respecting that in the correct place.
Performance wise Randeep
Hooda is outstanding. The scene where he rediscovers his past through the girl
is excellent and the restraint and intensity with which Randeep displays his
emotion is beyond words. Alia Bhatt from Student Of The Year to Highway---she
is completely different, looks more confident and has easily got into the skin
of the character. From the talkative immature girl to the intense person she is
spontaneous and brilliant and hardly appears a new comer to the industry.
People who are interested to
spend their "outing time" in a movie theatre will definitely not like
this as it will be beyond their capacity and their will to grow as an audience.
I got a good glimpse of that in a popular multiplex of Noida Sector-18. The
public reactions specially during the intermission was horrible. The 1st half
which was developed in some sort of documentary/real type way to establish the
characters was inviting even wild thoughts/reactions from the audience. Majority
likes to see larger than life things---dialogue-baazi, glycerin scenes,
blinking love stories, irritating over smartness--referred to as comedy. Story,
performance hardly has any significance. The 100 crore business stuff, the
build up to such a movie with stories of how long an actor has prepared his
body/physique for a particular role, the costumes of the actresses & the
dance numbers are far more significant & worth to the mass of Hindi film
audience. This has been a story of Hindi films over the years. The result ----
some of the potential directors had to turn to conventional stuff to earn their
living/fame after some failures at box office. Hope things mature with time !!!